Over the past thir­ty years or so I have had the oppor­tu­ni­ty to work in a odd, unfo­cused man­ner while bounc­ing around the four cor­ners of the cre­ative indus­tries and the world. Below are some of my favorite pieces from oil paint­ings to graph­ic design with the occa­sion­al car­i­ca­ture.

Visu­al com­mu­ni­ca­tion in its most basic form, the entrance is a sign indi­cat­ing the prob­a­ble pres­ence or occur­rence of some­thing else. More than a point of entry, the entrance con­notes the exten­sion of a bound­ary, its pos­ses­sion as well as the cre­ator’s sense of pur­pose, resources, cre­ativ­i­ty and rela­tion­ship with their com­mu­ni­ty “In the mat­ter…

The best cam­era in the world is the one you have with you when the occa­sion to make a pho­to­graph unfolds. Going for a dan­der with a cam­era encour­ages explo­ration, exper­i­men­ta­tion, obser­va­tion, and antic­i­pa­tion for what might unfold.

Like street pho­tog­ra­phy the process of explo­ration, of going for a dan­der with a cam­era to encour­age explo­ration, exper­i­men­ta­tion, obser­va­tion, and antic­i­pa­tion for what might unfold only miss­ing that human ele­ment that defines so much street pho­tog­ra­phy. It is about the space, open or enclosed and how the ele­ments rhyme.